Category Archives: Multicultural romance

Our Five Favourite Spring Reads

So many Spring reads to choose from but here are my five favourites, all five star reads:

The Pursuit of by Courtney Milan

tpo-smallI loved this story of same sex romance in the late 1700s set against backdrop of the American War of Independence. It’s a prequel to her Worth Saga series and features the couple that set up the family business, English officer Henry Latham and African American corporal John Hunter. Chance sees them meet on the battlefield, where they almost kill each other, before becoming friends and then lovers. Both face different challenges in their personal lives and they must overcome societal restrictions and personal concerns before they reach their happy ever after. The Pursuit Of  is tender, funny and meaningful. Vintage Courtney Milan.

 

One Night Wife and Fool Me Forever, The Confidence Game books 1 and 2 by Ainslie Paton

Ainslie PatonThis series from Ainslie Paton is Robin Hood for the twentieth century. It is funny, sassy, smart, seriously sexy contemporary romance with a twist for our morally ambiguous age. The Sherwood family are professional grifters in the name of causes not supported as they should be by government and business. They con money from those who have too much, especially if they’re slack about paying tax and morally reprehensible, and give it to responsible charities. They’re one of four families committed to the con. In One Night Wife, Cal Sherwood falls for Finley Cartwright, the queen of lost causes. The problem is she’s not part of the four families. I absolutely loved it and book two, Fool Me Forever, featuring youngest brother Halsey and Fin’s friend Lenore Bradshaw.

Lionheart by Thea Harrison, Moonshadow book 3 (Moonshadow andSpellbinder)

Lionheart_HiRes_1800x2700-768x1153Lionheart is the final book in this trilogy which forms part of Thea Harrison’s Elder Races world. It is paranormal/fantasy at its finest, combining the creatures of mythology and lore with the Arthurian legend and others. Magical worlds overlap with earth creating more opportunities for cross cultural conflict, war and love. Moonshadowwas my introduction to Thea Harrison, and I was hooked. She became an immediate feature on my autobuy list. Lionheart is the story of King Oberon of Lyonesse and the Wyr earth trauma surgeon and magic user, Dr. Kathryn Shaw, sent to save him.

 

Neanderthal Seeks Human, A Smart Romance by Penny Reid, Knitting in the City bk 1

neanderthal-seeks-humanThis is not a new title, but it was a lovely introduction to Penny Reid’s delightful rom-coms. I’ll be reading my way through all the Knitting in the City as well as the Winston Brothers books. *happy sigh* Discovering a new-to-me excellent author with a long backlist is one of the best things that can happen to an avid reader. Neanderthal Seeks Humanintroduces Janie Morris, who is awkward, anxious and uncertain. Quinn Sullivan, aka Sir McHotpants, is anything but. Can they really make it work?

 

The Laird’s Christmas Kiss by Anna Campbell, Laird’s Most Likely book 2

TLCK-FOR-WEB-1-683x1024After six delightful novellas, Anna Campbell has returned to full length novels with her Laird’s Most Likely series. The Laird’s Christmas Kisshas landed just in time for Christmas, a time Anna writes about particularly well. Shy wallflower Elspeth Douglas has had a crush on Brody Girvan, Laird of Invermackie, for five years – and he has never noticed her. Just when she decides to grow up and move on, he decides to show interest. Unfortunately his reputation as a rake means Elspeth is uncertain as to whether she can trust his newfound interest. With interfering friends and a crate of imported mistletoe thrown into the mix, the stage is set for a house party rife with secrets, clandestine kisses, misunderstandings, heartache, scandal, and love triumphant.

 

If you’re looking for something different, perhaps try other members of The Writers Dozen:

 

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Diversity in Romance: US report finds only 7.8% of romance titles by people of colour

Diversity in romance is a hot topic at the moment. It’s fuelled by questions around cultural identity and sales.

Who has the right to create characters from different backgrounds? On the one hand, no one is better positioned to write a character with, say, an African American background than an African American. On the other hand, taken to extremes, that argument would mean no Othello, no Ophelia and no romance heroes with their own POV, at least not when written by female writers. And does this mean that a writer from an Asian background can’t write Regency Romance, even if she wants to? And what does it mean about aliens and shape-shifters? The world would be a much duller place if writers only wrote what they knew.

There is also, of course, the issue of unrepresented minorities in history. We think of medieval Britain as an island predominantly populated by white people, but what of the descendants of the African Roman soldiers stationed along Hadrian’s Wall before the collapse of the Roman Empire?

Then there is the thorny issue of sales. Which comes first, the demand or the story? I’m inclined to favour the perspective that the way forward is to ensure diversity within publishing houses. If editors and publishers have diverse interests and backgrounds, they will find those great books which have universal appeal regardless of the cultural identity, nationality or race of the characters.

The publishing industry certainly isn’t there yet. Bookseller and Publisher covered an 2rippedbodicereport2016Entertainment Weekly story on The Ripped Bodice’s report on the racial diversity of romance publishing in the US during 2016. The Ripped Bodice is a romance specialist bookstore. They found that only 7.8% of romance titles published were written by people of colour. ‘People of colour’ is a broadly descriptive term that not all writers of non-Anglo Saxon heritage will identify with. However, given that US census figures indicate that up to 28% of the American population identifies as either black or Hispanic, the diversity book is clearly not balanced.

Half of the 20 publishers surveyed had fewer than five percent of their books authored by people of colour, and only three publishers had at least 10% of their books authored by people of colour.

The report co-authors and owners of The Ripped Bodice, Leah and Bea Koch, said they were motivated to conduct the study ‘because they often found themselves short of options when customers come in looking for traditionally published books by authors of color’.

‘We have found it difficult to continue the conversation about diversity in romance without hard data,’ said the Kochs. ‘For many years the common refrain from publishers has been “we’re working on it.” Every year we will track industry growth and see if that promise rings true.’

The report notes that all of the publishers mentioned were invited to contribute statistics to the study. More than half engaged directly, with the missing data gathered from publisher and distributor websites.

I think this is an excellent initiative by The Ripped Bodice. I’m also giving a shout-out to all those publishers who participated willingly and all the indie authors who publish diverse romance but weren’t covered by this study. The more we talk, the more answers and solutions we’ll create and the more great romances we will have to read.

Australia has a very diverse, multicultural society. It would be interesting to see a similar study done here. I suspect the numbers would not look much better although I do know many publishers who actively hunt for and publish magnificent stories by individuals from marginalised or misunderstood groups, whether because of their cultural background, sexual preferences or other factors.

If you’re looking for a reading list of diverse authors and characters, try one of these four books, or have a browse on GoodReads, where there are many recommended book lists complete with comments.

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